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Set in the very near future, Honey Don’t features a hit list that runs the gamut: from a goatish president dying in flagrante, to an aging Don appalled by modern manners; from a certifiably stupid bagmen fleeing both the Secret Service and the mob with $656,000 of dirty money in a locked attaché case and the presidents head in a carry –all, to a coke-snorting blow-dried VP who has suddenly caught the brass ring. Circling them are conniving White House staffers, corrupt politicos, sleazy journalists, and rancid pro football coaches: in short, the usual D.C. three-ring circus. And in the center ring is the eponymous Honey, one of those Texas women cursed with a given name that condemns her to a lifetime of cheerleading. But this Daddy’s girl is a free spirit in full rebellion, and her take on life – offbeat but on target – is the heart and soul of this antic tale. Honey Don’t is a full frontal assault on the inanities of our age. Often outrageous, sometimes shocking, always wickedly funny, it is, in the end, utterly and slyly subversive. It is also Tim Sandlin at his most maverick best.
- Sales Rank: #4252505 in Books
- Published on: 2014-11-14
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .82" w x 6.00" l, 1.06 pounds
- Binding: Paperback
- 326 pages
Amazon.com Review
When reading Tim Sandlin's Honey Don't, one is tempted to make comparisons to other writers of very funny books: Carl Hiaasen, Tom Robbins, Kinky Friedman, and Robert Ferrigno, for starters. But after consideration, the conclusion is that Sandlin is strictly sui generis. Nobody else is quite as over-the-top as Sandlin. His Gro Vont Trilogy, set in Wyoming, introduced readers to a motley group of free spirits, but this one has them all beat.
RC Nash, a journalist returning from a bungled European assignment, and Jimmy Sebastiano, a small-time Mafia bagman who is carrying $656K for delivery to his boss, improbably share a cab from Dulles to downtown D.C. RC gets home to find his girlfriend gone and his entire wardrobe cut into bite-size pieces; Jimmy surprises his girlfriend, the eponymous Honey, in flagrante delicto with someone who looks vaguely familiar. Turns out it's the President who, in his haste to leave, trips on his shorts, hits his head and dies. What to do with the body of the President? Enter Secret Service men; a gay Washington Redskins third-stringer' a Mafia don whose name is Rat's Ass and his savvy grandson; a coke-snorting VP; a First Lady who used to be a jazzercise instructor; the C.I.A., F.B.I. and a few walk-ons from the local Damien's Donuts.
At times, there are too many sub-plots in motion to keep track of the action, but Sandlin takes on every sacred cow in existence: ethnicity, gender, politics, sexual conduct, self-serving greed, and hypocrisy--and shatters them one by one. For a refreshing vacation from political correctness and a few good belly laughs, Honey Don't is a good choice. --Valerie Ryan
From Publishers Weekly
Strongly reminiscent of Carl Hiaasen and Tom Robbins, this sixth satirical novel by the ribald, irreverent Sandlin takes leave of GroVont, Wyo. (setting of Sandlin's GroVont trilogy), to visit a mismatched cast of oddball denizens of Washington, D.C. Returning in the wee hours of the morning from a botched assignment in Europe, Daily News journalist RC Nash shares a cab from Dulles Airport with Jimmy Sebastiano, a dim-witted Mafia bagman couriering $656,000 to his boss, Rat's Ass Olivetti, the godfather of Philadelphia. Jimmy sneaks into his Foggy Bottom pad the back way to avoid two federal agents parked out front and catches his mistress, ex-Texas high school cheerleader Honey DuPont, having sex with the president. The startled president trips on his thong bikini and dies instantly when he strikes his head on an ornamental iron flamingo. Sneaking the corpse out in a beanbag chair, they take it to the house of Honey's ex-high school flame, Farlow Stubbs, a gay Redskins defensive back, and put it in his freezer. Looking to land an interview with Farlow, RC stumbles upon the corpse; meanwhile, Mafia hit men come looking for Jimmy, who still has the mob's money. Wacky subplots feature a pubertal grandson of the Mafia boss who has a crush on Honey; the ex-first lady (a former Jazzercise instructor from Wisconsin); the devious White House chief of staff; the boneheaded v-p (now president); a cadre of assorted Feds; RC's former editor; her lover (an adulterous senator); and a cast of other Washington types caught up in the zany chase. This madcap farce is a surefire bet to have readers laughing out loud.
Copyright 2003 Reed Business Information, Inc.
From Booklist
With the completion of his Grovont Trilogy (Social Blunders, 1995), Sandlin brings his gifts for anarchic plotting and over-the-top characterizations to Washington, D.C., in a novel set sometime in the near future. Veteran journalist R. C. Nash has been assigned to the fluff patrol, but instead of covering Tom Cruise's fifth divorce, he opts to interview a Spanish terrorist. That decision costs him his job, but he doesn't have much time for moping. He has inadvertently stumbled on the biggest story of his career--lusty U.S. President Franklin, in bed with a sexy Texan named Honey, is discovered and then chased by her boyfriend, a lowlife Mafioso named Jimmy; then the president's feet become entangled in his thong underwear, and he hits his head on an iron flamingo. Pretty soon, Honey, Jimmy, and R. C. are on the run with a beanbag chair that contains the president's body, while the government tries to cover up. Sandlin celebrates the comeuppance of dumbbells and the triumph of love in a funny and fast-paced novel. Joanne Wilkinson
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
3 of 4 people found the following review helpful.
You'll never look at political figures the same way again
By gtigrl
It's been years since I've read any of Tim Sandlin's books (and I've read every single one of them )...so I can't compare Honey Don't to his prior works. BUT I can say I really enjoyed Honey Don't. It took a little while for me to get into it but once I did, I found myself intrigued by the characters and what happened to them.
I don't want to give the plot away. Let's just say it is a dark comedy about the murder of a very famous man and the way the murderer and his girlfriend and various other characters deal with the situation.
What I liked most about Honey Don't is how Tim incorporated a lot of modern day pop culture into the story...ie: Starbucks and the internet. He didn't flat out make fun of them...but he kinda did in the subtle way he does make fun of every day life.
It's been a long wait for Honey Don't. I hope all fans of Tim Sandlin will read it. I had NO idea what it was about but I bought the hard cover copy anyway. I'm glad I did.
1 of 1 people found the following review helpful.
Not One Of His Best
By G. Robertson
To compare Tim Sandlin with Tom Robbins, as "one dust jacket critic" has, is a bit of a stretch. Nevertheless,I remain a fan, anxious to get my hands on his next offering.
Having said this, Honey Don't was a mild disappointment. As in all Sandlin novels, the prose was entertaining and often humorous, but the book didn't seem to reach the levels of keen social awareness and psychological insight that we've seen in this fine writer's previous efforts, most notably The GroVont Trilogy.
I don't mean to dog this book. If you're a Sandlin fan as I am, by all means read this book. Just don't expect too much.
6 of 9 people found the following review helpful.
Enjoyable but slight
By Charles Sikkenga
I've only been on the Sandlin bandwagon for a year, but in that time I've read his first five novels--most more than once--and he's become one of my all-time favorite writers. That said, Honey Don't was a big disappointment.
There are two main differences between this and Sandlin's earlier work. First, Sandlin uses third person for the first time and it robs the story of a lot of the quirky charm exuded by the narrators of his earlier books. Much of the humor in those works came from the awardward moments of self-awareness present in the characters. As a result, this one comes off as much more generic--there's really nobody for readers to relate to on the level of previous books. Rather than a Sandlin work, I kept feeling like I was reading a knock-off Carl Hiassen. That's not a terrible thing, its just not up to par with something like the GroVont trilogy.
The second big difference is that rather than an off-beat look at life and relationships, Honey Don't functions more as political satire. While some of Sandlin's barbs hit the mark, too often things feel bitter so that on the whole this book lacks the insight and the pathos that made the earlier works so memorable.
That's not to say the book isn't without considerable strengths. Its packed full of belly laughs and the characters, if somewhat two-dimensional, have enough quirks to keep readers entertained. There are a collection of hilarious scenes, ideas and lines. But in the end, none of it ever provokes much of an emotional reaction, making Honey Don't perfect as light beach reading but far short of Sandlin's most memorable effort.
(interesting side-note--the plot of this book was first introduced as Kelly Palamino's unpublished fourth novel in "Sex and Sunsets" Sandlin's 1987 debut. Kelly didn't think it was that great either.)
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