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FX2: The Lost Land, by Wayne Osborne
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Specially priced 96 page story! Picking up where the debut miniseries ended, Wayne Osborne and new artist Uko Smith take FX and the gang on an adventure to the center of the Earth and then beyond. This all-new, standalone graphic novel features classic comics-style superhero action taken to the very edge of imagination.
- Sales Rank: #3716979 in eBooks
- Published on: 2014-11-27
- Released on: 2014-11-27
- Format: Kindle eBook
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Wayne Osborne keeps on living his dream...
By H. Bala
I tell you, high school crushes can ef up a boy. Luckily, teenager Tom Talbot can summon up an unlimited array of hard light constructs merely by applying his imagination, and so he's better equipped to cope than most kids when their fool crushes lead them into scrapes. FX 2: THE LOST LAND reacquaints us with Wayne Osborne's comic book creation, FX. Except that his hired gun artist, John Byrne, has fled for the hills. But it's neat that IDW Publishing allows Osborn to play at professional comic book writer without Byrne's talent propping him up.
Segue: If you don't know, now you'll know: Some time ago John Byrne had let slip on his message board that he was willing to work on a full 22-page comic book commission for an asking price of 20 gees. 40-something-year-old Wayne Osborne took him up on it, creating and writing FX for Byrne to draw. Osborne took the finished pages to the San Diego Comic Con and IDW then took an interest. As per IDW's request, Osborne convinced Byrne to continue working on FX for the entirety of a six-issued limited series (FX). He kept paying him, too.
Em, have you seen the kitchen sink? Wayne Osborne throws a riotous mash-up of concepts and homages into this graphic novel sequel, and the readers may have a time of it wrapping their heads around the breakneck plot. The opening pages inform us of an unlawful nighttime escapade involving two costumed characters, Arachnoid and Minx, and you don't even have to blink hard to note the similarities between them and a certain wallcrawler and his larcenous off-and-on girlfriend, she with the bad luck mojo. It's been some time since I read the original mini-series so I don't recall if Osborne had earlier introduced Arachnoid. But this spider-gimmicked character is soon rubbing elbows with our young hero. It's convenient that they both attend the same high school, albeit in different capacities.
FX himself is an analog of Green Lantern. They both rely on their imagination to invoke their power. And, visually, whenever FX manifests his favorite robot construct, the image reminds me of the X-Men's Armor. When a race of savage underworld dwellers (called the Moleisaurs) erupt to the surface to wreak havoc at Tom's school and abduct the students, including Tom's red-head crush, it is friggin' hero time. Fx and his two best friends, brash Jack and psychic Vicki, and Arachnoid pursue the Moleisaurs to the center of the earth, at which point Edgar Rice Burroughs turned over in his grave.
The characters aren't well-developed, but I like them, from the harried Fx to the thoughtful Arachnoid to the sensible Vicki, and Vicki's psychic abilities and ghostly knight guardian end up playing relevant roles. While I sometimes stuggled to keep track of the whiplash plot threads - because Osborne's dizzying world-building is of the throw-stuff-at-the-wall-to-see-what-sticks persuasion - I did have fun reading this mini-series. I love its exuberant Silver Age appeal. I wouldn't at all mind another sequel. I will say that Uko Smith's art weakens the series. His figure work and action sequences are dynamic enough and some of the splash pages are absolutely eye-catching, but I have beef in that he lacks consistency in how he draws the characters' facial features. They change panel to panel, and it's a chore sometimes to determine whether it's Jack or Vicki I'm looking at. Maybe... probably... I'm being too harsh on Uko Smith because I'm comparing his stuff to that of his predecessor.
At some point, I got over Osborne's swiping of already established comic book characters. Osborne's nods are so obvious and so enthusiastic that I just can't begrudge him his fan boy joy. I mean, he even unveils a mash-up of Mary Jane Watson and the Hulk! You can't hate on that. Osborne seems bent on matching Kirkman's INVINCIBLE in audacious plotting, although he lacks Kirkman's polish and adroit storytelling. Osborne populates his crazy universe with samurais and pterodactyl-riding cowboys and dashing aviators from circa 1940s. FX and his friends find themselves flummoxed by time travel, navigating lost cities and otherdimensional portals, and facing off against an extinction-level threat to humanity. Which brings me back to my original point: High school crushes can ef up a boy.
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